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#Take you to a gay bar song free
Valentine’s real name is Tyler Spencer and, dressed in jeans and free of facial hair and leather, Spencer seems a very normal Brooklynite.Įlectric Six first came onto the scene in 2003, with their album Fire, a high-energy rock record that is at once supremely silly and captivating. Rock may be ludicrous, but it doesn't deserve such a ghastly fate.If the words “Electric Six” conjure up images of the band’s lead singer, Dick Valentine, dressed as Abraham Lincoln, but with leather hot pants, and singing, “I want to take you to the gay bar, gay bar,” you might be in for a shock. Like Electric Six and all purveyors of comedy rock, the traitorous Lynch takes rock'n'roll - pop culture's messy, wild id the preserve of delinquents, freaks and misfits - and sanitises it into light entertainment.
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Ultimately, ditties such as 'I'm All Bloody Inside', in which Lynch outlines how much nicer he is on the outside, are cute at best at worst, they parody rock's sexism with the kind of enthusiasm that sets off alarm bells. That said, one of Lynch's counterfeits, 'Fake Björk Song', surfaced on Napster some time ago as a rare Björk B-side. Not only that - Suede's and Linkin Park's tributes are all the more entertaining for being unintentionally funny. On their slow songs, Linkin Park do a superior impression of the Mode. The entire career of Suede is a much better take on Bowie. Lynch really needn't have bothered with these ambushes on sitting targets such as David Bowie or Depeche Mode. TD's Jack Black contributes to a duet here, and Ringo Starr even plays drums on 'Cuz You Do'.īut the oblique MTV sock-puppets skits (Sifl and Olly) that made Lynch's name are a lot better than Fake Songs ' lightweight spoofs. Nothing here matches the frenzied appeal of their debut single, 'Danger! High Voltage!'įellow American Liam Lynch, meanwhile, is a Tenacious D affiliate and alumnus of Paul McCartney's Liverpool pop academy. One can only assume that the cool members of the group were utterly mortified when the United Kingdom actually gave their joke band a career.Īnd so the remainder of E6's debut caricatures garage rock and disco in fairly obvious ways - 'Synthesizer' is a Teutonic club piss-take much of the rest recalls Whitesnake crashing around the set of Boogie Nights. Three of their number have now left the band, including Steve 'Disco' Nawara, who briefly (one gig) played bass for The White Stripes. Is going to a gay bar really such a wheeze? Does singing 'Gay bar! Gay bar! Gay bar!' in a cod-British silly voice make it more droll? Apparently so.Įlectric Six, incidentally, have been part of the Detroit underground for years. Take 'Gay Bar', Electric Six's recent cheese-rock hit, a song whose magic rests on the hilarious notion of taking a girl to a gay bar. Not only are these novelty records not terribly good, they are also not funny. Now there are albums by comedy/music polymath Liam Lynch, who scored a No 1 hit with 'United States of Whatever' last year, and Detroit's Electric Six, whose last two singles ('Danger! High Voltage!' and 'Gay Bar') have charted high. There has been a glut of allegedly amusing records in recent months, beginning with Tenacious D and taking in the lesser-known Turbonegro (a Swedish heavy metal band who pretend to be gay) and Har Mar Superstar (a fat, white man who pretends to be an R&B star). Anyone who cannot see the mirth in Girls Aloud or So Solid Crew is missing a vital bone in their arm.Ĭomedy rock, however, is the worst music in the world. Pop music is no less sidesplitting, of course.
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Nineteen years on, This is Spinal Tap continues to be extremely funny, because rock'n'roll continues to be absurd and - crucially - because the film's writers were supremely observant comics.